Sunday, May 29, 2005

The Truth of Tiananmen

The 1950 Japanese film Rashomon owes its enduring appeal to director Akira Kurosawa’s superb treatment of an ancient and universal theme: What is the truth? A samurai and his bride come upon a bandit in a forest grove, where the traveler dies and his wife is ravished. The only witness is a woodcutter. The story turns on the magistrate’s efforts to extract the facts from completely different yet equally plausible perceptions of what occurred.

A similar conundrum awaits anyone who wants to unravel the meaning of the events that occurred on the night of June 3-4, 1989, in China’s capital. Most Americans think they already know the truth about Tiananmen. The communist rulers of China, determined to crush a pro-democracy movement, sent the soldiers and tanks of the People’s Liberation Army, guns blazing, into Beijing’s massive central square, mowing students down by the hundreds.

Here is what my own newsmagazine, Asiaweek, wrote in a retrospective six months after Tiananmen: “Beyond question a paroxysm of killing took place that night. What has never been clear was how many died. One June 4, the Chinese Red Cross allegedly issued an estimate of 2,600 dead. The figure was soon disavowed, but the June 5 edition of Hong Kong’s South China Morning Post cited ‘diplomatic sources’ reckoning a death toll of 1,400. Next day it rose to 4,000. Two days later 7,000.”

Yet for years many publications in Asia have shown an extreme reluctance to put the words “Tiananmen” and “massacre” together. My own magazine pussyfooted around the subject by calling it a “crackdown.” Even today, the South China Morning Post uses the term “Tiananmen crackdown” in its headline reporting on the crowds that attend the candlelight vigil honoring the dead that takes place every year in Victoria Park, Hong Kong’s smaller version of Tiananmen Square.

In part this reflects an uncertainty as to how many people were actually killed on that fateful night and whether anyone was killed within the boundaries of Tiananmen Square, literally and narrowly defined. The Chinese government has always maintained that the death toll was “around 200,” including many soldiers, and that no student was actually slain on the square itself. Tiananmen is like our mall in Washington, so it is more than academic to the Chinese whether blood was actually spilled inside those sacred boundaries.

It also reflects a typically Asian penchant to soften traumatic events with euphemisms. On February 2, 1947 the Nationalist government of Chiang Kai-shek suppressed island-wide rioting, killing thousands, many more, probably, than died in Beijing. It is known today even in Taiwan simply as the “2/28 Incident.” Japanese refer to the bloody coup attempt in Tokyo in 1936 as the “2/36 Incident.” For that matter, they refer to the years the Japanese army rampaged through China, killing millions, as the “China Incident.”

In a way it is irrelevant whether anyone was actually killed in Tiananmen Square itself. There is no question that a bloodletting took place in Beijing on the night of June 3-4, 1989. There was no question that Tiananmen Square was the objective of the Chinese army. Beijing was a city on the edge of insurrection. The PLA converged on the city center from all sides smashing and shooting its way through improvised street barriers. But by the time they reached the Square, the students were already filing out.

Similar questions still surround precisely what the students were demonstrating about. It is an axiom that the students were agitating for democracy in China, and the enduring symbol of their protest is the statue of the Goddess of Democracy, they erected in the Square. Yet it is a curious democracy movement that began with the death of Hu Yaoban, who as Secretary-General of the Chinese Communist Party was certainly no democrat but reputed to be a man of rectitude, and ended with the students singing the anthem of international communism as they exited the Square.

For many years my Chinese colleagues argued strenuously that it was wrong to say the demonstrators were agitating for democracy. The students were really against growing corruption that was becoming increasingly evident ten years after China introduced market reforms. Of course, insisting that the issue was corruption puts a more tolerable light on the student motivations from the government’s point of view. Being against corruption is very politically correct. The Chinese Communist Party conducts periodic crackdowns -- that word again – on corruption. High-ranking officials are caught, tried and sometimes executed. Oh yes, being against corruption is fine.

But it is much harder for China’s rulers to admit that Chinese people might actually want greater democracy. Perhaps it is a lingering Marxist worldview, but Beijing explains all such disturbances in purely economic terms. People are upset? It must be about the economy. The solution is to find ways to give them more prosperity. If people are busy getting on with their lives they will be happy and not agitate for political reforms. This was essentially how Beijing responded to Tiananmen, and it was how it read the mood of Hong Kong after half a million people demonstrated for democracy last year.

It can work for a while, but inevitably it will lead to further blowups. It may be true that the demonstrators sixteen years ago did not debate the finer points of Westminster-style parliamentary democracy for China. Yet, the Tiananmen was fundamentally and profoundly democratic. Yes, they may have been angry about their leaders’ growing corruption. But the people who say the revolt was against corruption are only half right. The underlying message was this: Our leaders are corrupt and we can’t do anything to get rid of them. And that is the truth of Tiananman.

Todd Crowell served as the Asiaweek's chief of correspondents during Tiananmen.

7 Comments:

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November 22, 2005 at 4:52 PM  
Blogger bobby fletcher said...

Mr. Crowell, the latest PBS special, "The Tank Man" clearified couple things in your blog entry:

- The Chinese government did investigate and release an overall casualty count of 250, which is in-line with our own NSA intel;

- Once the troops arrived at TAM square, the students were allowed to leave peacefully.

Thank you.

April 19, 2006 at 11:08 AM  
Blogger Unknown said...

Kurosawa had a distinctive cinematic technique, which he had developed by the 1950s, and which gave his films a unique look. He liked using telephoto lenses for the way they flattened the frame and also because he believed that placing cameras farther away from his actors produced better performances. He also liked using multiple cameras, sportsbook, which allowed him to shoot an action scene from different angles. Another Kurosawa trademark was the use of weather elements to heighten mood: for example the heavy rain in the opening scene of Rashomon, and the final battle in Seven Samurai, the intense heat in Stray Dog, the cold wind in Yojimbo, the snow in Ikiru, and the fog in Throne of Blood. Kurosawa also liked using frame wipes, sometimes cleverly hidden by motion within the frame, as a transition device. http://www.enterbet.com

December 31, 2007 at 4:18 PM  

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